Lighting Hire Gold Coast
Professional LED panels, fresnels, softboxes and event lighting for hire on the Gold Coast. OnPoint Studios stocks lighting solutions for corporate shoots, interviews, conferences, events and film production — compact kits for on-location work through to full studio setups. All lighting is rigged, tested and ready to go. Serving Gold Coast, Brisbane and South East Queensland.
30 items

Antari F7-1620W Fog / Faze Machine
Antari F7 fog/faze machine for atmosphere, beam visibility and event lighting effects.

Aputure Amaran F22C 2x2 RGBWW Flex Mat
Aputure Amaran F22C 2x2 RGBWW flexible LED mat for soft, full-colour lighting in tight spaces.

Aputure F10 Barndoors
Aputure F10 Barndoors for shaping and controlling spill from compatible lighting fixtures.

Aputure F10 Fresnel For LS600 & LS1200
Aputure F10 Fresnel modifier for focusing and intensifying LS600 and LS1200 series fixtures.

Aputure Fresnel 2X with S-Type Adaptor
Aputure Fresnel 2X with S-Type Adaptor lighting accessory for shaping, softening or controlling light in photo and video setups.

Aputure Lantern with Barndoor
Aputure Lantern with Barndoor for shaping and controlling spill from compatible lighting fixtures.

Aputure Light Dome II Bowens Mount
Aputure Light Dome II Bowens-mount softbox for creating large, soft light from compatible fixtures.

Aputure LS1200D Pro Light Storm Daylight LED Light
Aputure LS1200D Pro high-output daylight LED fixture for powerful key, bounce and long-throw lighting.

Aputure LS120D MKII Light Storm LED Light V-Mount
Aputure LS120D Mark II daylight LED light for compact interview, product and accent lighting setups.

Aputure LS300D MKII Light Storm LS 300D MKII LED Light Kit V-Mount
Aputure LS300D Mark II daylight LED light kit for interviews, small sets and controlled video lighting.

Aputure LS600X Pro Bi-Colour LED Light with V-Mount
Aputure LS600X Pro bi-colour LED fixture for controllable key, fill and backlight setups.

Aputure Storm 80c 3-Head RGBWW LED Kit
Aputure STORM 80c 3-head RGBWW LED kit for compact full-colour lighting setups.
Delivery onlyChauvet DJ Cumulus Low-Lying Fog Machine
Chauvet Cumulus low-lying fog — dense ground-hugging cloud effect using standard fog fluid.
Delivery onlyChauvet Freedom Flex H4 IP Uplights (Set of 6)
Wireless battery uplights × 6 — RGBAW+UV, IP65, no cabling between fixtures.
Delivery onlyChauvet Nimbus Professional Dry Ice Machine
Chauvet Nimbus dry ice machine — thick rolling ground-level fog, theatrical effect.
Delivery onlyCO2 Jets (Pair) Special FX
CO2 cryo jets × 2 — dramatic burst of cold white vapour, DMX or manual trigger.
Delivery onlyDJ Power H-3 Pro Haze Machine
DJ Power H-3 Pro haze machine — 1500W, continuous fine atmospheric haze, DMX controlled.

Kupo Butterfly Frame 12x12
Kupo 12x12 butterfly frame for holding large diffusion, silk, bounce or negative fill textiles.
Delivery onlyLectern (Black) with XLR Mic Input
Professional black lectern with built-in XLR mic input — ideal for conferences and corporate events.
Delivery onlyMoving Head Fixture
Professional 150W LED moving head — pan/tilt, RGBW, DMX controlled.

Rocket 12x12 Artificial Silk
Rocket 12x12 artificial silk textile for softening sunlight or large lighting sources.

Rocket 8x8 Artificial Silk
Rocket 8x8 artificial silk textile for softening sunlight or large lighting sources.

Rocket Ripstop Floppy Cutter/ Flag 4’x4′ Black
Rocket Ripstop Floppy Cutter/ Flag 4’x4′ Black for cutting, shaping, blocking or bouncing light on set.

Rocket Ultrabounce Floppy (48″ x 48″) 4′ x 4′
Rocket Ultrabounce Floppy (48″ x 48″) 4′ x 4′ for cutting, shaping, blocking or bouncing light on set.
Delivery onlySlimPAR LED Wash Light
Flat RGBAW+UV LED wash par — sound-active or DMX, great for stage and event colour fills.

SoundSwitch USB to DMX Lighting Interface
SoundSwitch USB to DMX Lighting Interface lighting accessory for shaping, softening or controlling light in photo and video setups.

Westcott 55° Wide Umbrella Reflector with Honeycomb Grid Kit
Westcott 55° Wide Umbrella Reflector with Honeycomb Grid Kit for bouncing, filling, shaping or controlling light in photo and video setups.
Wireless LED Uplighting - 16 Pack (Full Set)
Full set of 16 battery-powered RGBAW+UV wireless uplights. Complete venue transformation, no cables needed.
Wireless LED Uplighting - 4 Pack
4 x battery-powered RGBAW+UV wireless uplights. Perfect for small venues, ceremony aisles, or accent lighting.
Wireless LED Uplighting - 8 Pack
8 x battery-powered RGBAW+UV wireless uplights. Ideal for mid-size venues, full room wash or feature lighting.
Choosing the Right Lighting Hire for the Job
The right kit depends entirely on what you're lighting and the look you're after. For a corporate gala, awards night or conference, event lighting hire on the Gold Coast usually means uplights to wash a room in colour, moving heads for the stage, and a few static fixtures to pick out a lectern or signage. For film and content work, film lighting hire and photography lighting hire lean on controllable, colour-accurate sources — LED panels you can dim and tune, fresnels for a focused beam, and softboxes when you want flattering, even light on faces.
If you're not sure where to start, work backwards from the result. A product shoot or interview wants soft, shadow-free light and tight control over output. A live event wants impact, movement and coverage across a big space. A photography studio or pop-up set usually needs a clean key light, a fill and maybe a background light — a job a couple of panels and softboxes will handle comfortably. Tell us the venue, the brief and the number of subjects, and we'll spec a package that does the job without you paying for fixtures you won't switch on.
Because OnPoint also runs full AV and production, every fixture is professional-grade, maintained and tested before it leaves us — not the cheap, mismatched gear you sometimes get from a general hire shop. That matters most when you're mixing sources on camera and need colour temperatures to actually agree with each other.
LED, Studio and Event Lighting Hire Across the Gold Coast
LED lighting hire has become the default for most jobs, and for good reason. Modern LED fixtures run cool, sip power, and let you dial colour and intensity from a single panel — so you can light a Broadbeach ballroom, a Bundall studio or a Burleigh Heads beach shoot without tripping breakers or cooking the room. For studio lighting hire specifically, that controllability is the whole point: you can match daylight through a window, warm a set, or go fully creative with colour, all from the same units.
Use-cases on the Gold Coast run the full range. We light weddings and receptions, corporate launches and conferences, music and stage events, brand content shoots, real-estate and product photography, and short-film sets. Some clients want a simple two-or-three-light photography kit for the weekend; others want a full event rig with moving heads and colour washes. The catalogue spans both ends, so you can scale up or down to match the brief rather than forcing a one-size package.
Whether you collect from us or we deliver, the gear arrives event-ready — lamps tested, cables coiled, and stands and clamps included so you're not chasing missing bits on the day.
Pickup, Delivery and Multi-Day Lighting Hire Pricing
You can hire lighting on the Gold Coast on a simple daily rate — transparent pricing that already includes GST, with 300+ items browsable and bookable online. Pickup is from the Gold Coast, and delivery is available across Surfers Paradise, Southport, Robina, Burleigh Heads and the wider Gold Coast, with reach into Brisbane, Byron Bay, the Sunshine Coast and the rest of South East Queensland for larger jobs. If you tell us the venue and access details up front, we'll sort the logistics so the kit is on site and ready before you need it.
Multi-day hires earn a discount, which suits anything that runs across a weekend, a multi-day shoot, or a conference with a build-and-strike either side — you're not paying a fresh full day for gear that's simply sitting on the truck overnight. Because pricing is daily and clearly listed, you can build a package, see the total before you commit, and adjust the duration without guesswork.
Hire vs buy comes down to how often you'll actually use it. Professional lighting is expensive to own, dates quickly, and needs storage, testing and the odd lamp replacement — costs that only make sense if you're shooting constantly. For everyone else, hiring gets you current, well-maintained fixtures exactly when you need them and nothing to maintain afterwards. And because we're one team that also runs production, you can hire the gear on its own, or add an operator or crew to rig, run and strike it — handy when the lighting is doing the heavy lifting and you'd rather not run the desk yourself.
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